A rich but lonely woman, Frances Austen, one day invites a boy from a nearby park to her apartment and offers to let him live there. Robert Altman's sadly neglected film that, along with his later Images, fits into the unconventional psycho-thriller mold. A bizarre story with Sandy Dennis as a spinster who takes in a handsome young man (Michael Burns) who is pretending to be mute. She imprisons the boy and supplies his every need, including a prostitute (Luana Anders), whom she goes out and brings home for Burns' pleasure.
重松清短篇小说将拍摄电影，堤真一，柳乐优弥，川荣李奈共演。 兼重淳导演作品，故事围绕着老师和昔日学生之间的友情展开，2019年公映。
Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
布商之女玛丽因家境殷实而遭到本城城主的陷害，父亲被杀，自己受到凌辱和鞭刑后被逐出康斯坦丁城。玛丽发誓要回来报仇血恨，为此她改名换姓为汉娜。流亡途中被一群妓女所收留。为了雪恨，她只能被迫使用上帝赐予女性最天然的武器。
1824年，维也纳。年仅23岁的安娜·霍兹（戴安·克鲁格 Diane Kruger 饰）凭借自己对于音乐的出色领悟力成为贝多芬（艾德·哈里斯 Ed Harris 饰）的乐稿抄写员，此时已经失聪的贝多芬正醉心于创作自己的“告别作”。安娜本想借着为贝多芬工作的机会向他学习，从而成为一名出色的作曲家，可是很快她发现贝多芬是一个固执、粗鲁、一味沉浸在自我世界中的疯子。贝多芬《第九交响曲》的首演由于安娜在危急时给予帮助而取得成功，两人的关系逐渐好转。安娜拿出自己所写的曲子让贝多芬评价时，却惹来贝多芬尖酸刻薄的嘲讽，安娜一气之下离开了贝多芬。在贝多芬的请求下，安娜又重新回到贝多芬身边并且尝试接受他那些过激言语所传达的意见，安娜似乎渐渐理解了这位天才级的大师…… 本片2007年在素有“西班牙奥斯卡”之称的哥雅奖（Goya Awards）上获最佳欧洲电影提名。
江戸川乱歩原作的《白昼夢》和《猟奇の果》改编的“贺岁”电视电影。由“黒髪の麗人”“エロスの白い肌”两集组成
影片的主人公是一名二战英雄，战后来到一座西部利亚小城当起了火车司机。真正给他们带来的极大的肉体和心灵的创伤，英雄们于是将火车视为膜拜的对象，疯狂的追求提升火车的速度。人和车似乎已经不分你我。英雄们就在这片西伯利亚丛林中，开始了一场不顾生命安全的火车竞速比赛。
A young man forages for magic mushrooms in the forests surrounding Lisbon, before distributing them with carrier pigeons to locals suffering from depression. With Shrooms Jorge Jácome trades the expected sensationalism of its central subject for lyricism and curiosity, shooting on dreamy, gossamer 16mm.
漂亮女孩小婷向往大都市生活，却因遇到冒名顶替的“意中人”而仓促结婚。心有不甘的她与丈夫产生矛盾，出走城市。然而，五光十色的都市生活既给了她强烈的新鲜感，也让她一度幻灭。而与当初相亲“意中人”的再次相逢，掀起了双方内心的波澜，他们却因伦理的约束无法面对自己的真情实感。之后丈夫的紧逼、父亲的暴怒令小婷心力交瘁，她的生活被彻底颠覆。在与新结识网友虚拟世界的交往中，小婷有了完全不同的感受，而“意中人”真挚却无力的情感同样令她无法释怀……追求梦想必然要付出代价，作为女性，唯有自立自强，收获事业的同时，她保持着对情感的一份美好希冀。
人生最低谷的时候遇见银矿的故事。
受真实生活事件的启发，在 1940 年代的奥约帝国，国王的首席骑士 Elesin Oba 在即将死去的那天晚上屈服于美貌和性欲的诱惑，以履行他毕生的仪式自杀债务 为了陪伴死去的阿拉芬前往祖先的领域，他从一个非常重要的世代和精神交易中脱轨。 这引发了一系列灾难性的后果，在一部充满情感、幽默和悲剧角色转换的引人入胜的电影中，将古老的信仰和习俗置于日益后现代和西方世界的审判之中。
